Portrait by Ben Adams 2022

Bio

Lottie Consalvo’s interests lie in our invisible worlds; thought, imagination and dreams are key themes throughout her work. With a practice traversing painting, performance, video, and sculpture, she looks at the physicality of the overwhelming presence of thought and the impact the mind has on all living things. She parallels these natural phenomena of the mind with that of nature by drawing out the mystical properties of the ocean, the horizon, the bush and other species. She parallels this inability to fully understand nature with our inner-worlds and draws out ideas around desire, longing, loss and the ungraspable.

Consalvo’s performances are observations of transformative experiences, often taking form as video or live performances. More recently the artist utilised the imagination of the audience to present a performance where she was not physically present, but rather the audience witnessed her actions within their minds. Her paintings further this conversation where the artist creates a physical presence for thought, imagination, memory, and psychological transitions. Working with a restricted palette across mediums, Consalvo often grasps monumental forms and uses the high contrast of opposing dark and light to mark out a place for the unknown and the intangible.

Lottie Consalvo is a Newcastle, Australia based artist, originally from Melbourne and born in Sale Victoria in 1985. In 2015 Consalvo was selected to be in residence with Marina Abramovic in Sydney as part of Kaldor Public Art Projects 30. Consalvo also exhibited in Millerntor Gallery#5, Hamburg. In 2018 the artist had her first solo museum exhibition at Heide Museum of Modern Art in Victoria. In 2019 she had a solo exhibitions at Casula Powerhouse with her Horizon video works, as well as a major exhibition at Maitland Regional Art Gallery . Her work has been exhibited internationally, most recently in Germany, Mexico and New Zealand. Lottie is held in collections including Artbank, Newcastle Art Gallery, Maitland Regional Art Gallery, Onna House (NY) - Gippsland Regional Art Gallery, Macquarie University, Newcastle University, Museum of Art and Culture Lake Macquarie, Allens Law Firm and The Stevenson Collection (NZ). Lottie is represented by Dominik Mersch Gallery, Sydney and Jan Murphy Gallery, Brisbane.

CV

DOB: 27.09.1985 Wayput, Sale, Victoria. Lives and works on the land of the Awabakal and Worimi people in both Newcastle and Pindimar NSW 

Represented by Dominik Mersch Gallery, Sydney and Jan Murphy Gallery, Brisbane

Exhibitions

Solo 

2022 - No access but from the Sky, April, Jan Murphy Gallery, Brisbane 

2021 - When I look carefully / I see the nazuna blooming / By the hedge! Dominik Mersch Gallery, Sydney

2019 - The Aerial View Of An Anthem, Dominik Mersch Gallery, Sydney 

2019 - Clayton Utz, Melbourne partnership with 333: Art Projects

2019 - Somewhere Else, Maitland Regional Art Gallery

2019 - I Tried To Make A Horizon For You, Casula Powerhouse 

2018 - In The Remembering - Heide Museum of Modern Art, Victoria 

2017 - Final Remembering - The Lock Up, Newcastle

2017 - ‘in silence’ - Dominik Mersch Gallery, Sydney

2016 - Momentary Alters -  NKN Gallery, Melbourne

2016 - Mid-fall - Alaska Projects, Sydney

2014 - Everything reminds me of you - Damien Minton Gallery, Sydney 

2014 - Public memories - Conductors Project, Sydney

2012 - The Life Exchange - Damien Minton Gallery, Sydney 

2011 - And all around is Desert - Damien Minton Gallery Annex, Sydney (curated by Kim Fasher of SuperKaleidoscope)

Selected group 

2023 - Up River, Down River - Maitland Regional Art Gallery

2023 - Loud Sky - The Lock-Up Contemporary Art Space, Newcastle

2023 - Aotearoa Art Fair, Auckland with Föenander Galleries

2022 - 2023 - A Paleolithic Age, November, Tripoli Gallery, New York

2022 - Together we are less alone (with Philip Grözinger and Clemens Krauss), Dominik Mersch Gallery, Sydney 

2022 - An Anthology of the Wind (video collaboration with Sarah Mosca), MAP, Mima, Lake Macquarie

2021 - Unthinkable Fields, Curated by Eloise Kirk, ANCA, Canberra 

2021 - Hugo Michell Gallery, Adelaide in partnership with Jan Murphy Gallery, Brisbane

2019 - Two Waters: Wairua, Laree Payne Gallery, Hamilton, New Zealand, with Maia McDonald 

2019 - Secret Garden - Dominik Mersch Gallery, Sydney

2019 - us.Universal Stories,The Museum Of Art And Culture Lake Macquarie, curated by Meryl Ryan

2019 - Of the Sun, Goulburn Regional Art Gallery, curated by Gina Mobayed,

2019 - Poetic of the Line, Kudos Gallery, UNSW Art And Design, curated by Tim Marvin 

2019 - From The Mudbrick House - Newcastle University Gallery 

2018 - Video Contemporary, Sydney Contemporary, Carriageworks 

2017 - Realising Mother - Kudos Gallery, UNSW, Sydney, curated by Zorica Purlija

2017 - Into Abstraction II - Macquarie University Gallery, Sydney 

2016 - The Ancestors - Dominik Mersch Gallery, Sydney , curated by Catherine Benz

2016 - New Strokes - Gallery9, Sydney

2015 - Paris/Hunter - Lake Macquarie City Art Gallery

2015 - Millerntor Gallery#5, Hamburg, curated by Fabian Jentsch

2014 & 2015 - Wild Side: The animal in Art touring exhibition - Lake Macquarie City Art Gallery & Western Plains Cultural Centre, Dubbo

2013 - Mono No Aware - Linden Gallery, Melbourne, curated by SuperKaleidoscope 

2012 - Traces - Leipzig Art Fair, Germany 

2011 - Australian exhibition - Australian Embassy in Berlin 

2010 - A Perfect Day to Chase Tornadoes (White) - Kunstquartier Bethanien Studio 1Berlin, curated by SuperKaleidoscope

Performances 

2021 - Sometimes I Hear Trees Falling, Dominik Mersch Gallery Sydney

2018 - In The Remembering - Heide Museum of Modern Art, Victoria 

2015 - 2016 - 'Desires', a year long performance 

2014 - 'I mouthed I love you' - Wild Side group exhibition, Lake Macquarie Gallery 

2014 - 'Until distance passes' - Tiny Stadiums Festival, Erskineville Sydney (commission) 

2014 - 'Near your sorrow' - Enduring Parallels (endurance performance exhibition) The Lock-Up, Newcastle (artist & curator)

2013 - 2014 - 'Compartmentalise', a year long performance living with minimal possessions

2014 - 'It's too early to love you' - ALASKA projects, Sydney 

2014 - 'Public memories' - Conductors Project, Sydney 

2013 - 'Do you love me' - Damien Minton Gallery, Sydney 

2012 - 'Steer a steady ship' - Damien Minton Gallery, Sydney

2011 - ‘The weight of the physical mind’- Leipzig International art program (LIA) Spinnerei Leipzig, Germany 

2011 - ‘Happiness is an extreme emotion’ - 12hour public performance, Berlin, Germany 

2011 - ‘Black feet’ - Leipzig International art program (LIA) Spinnerei Leipzig, Germany 

2011 - 'Beyond these walls’ - Engels, Berlin, Germany

Residencies

2015 - Marina Abramović artists' residency program, part of Marina Abramović: In Residence presented by Kaldor Public art projects, Project #30

2013 - Lake Macquarie City Gallery - in conjunction with Christo: John Kaldor Family collection artist rooms 

2012 - Titjikala art centre NT

2012 - Freestone print studio, Gippsland Victoria 

2012 - Familia Mojo Family orphanage Nairobi, Kenya

2011 - Leipzig International Art Program (LIA) Germany

Collections

Artbank - Stevenson Collection NZ - Allens Collection - Newcastle Art Gallery - Maitland Regional Art Gallery - - Onna House ,New York - Warner Music Australia - Macquarie University - Newcastle University - MAC Lake Macquarie Art Gallery  - Gippsland Art Gallery

Residencies

2023 - Desa, Ubud, Indonesia

2015 - Marina Abramović artists' residency program, part of Marina Abramović: In Residence presented by Kaldor Public art projects, Project #30

2013 - Lake Macquarie City Gallery - in conjunction with Christo: John Kaldor Family collection artist rooms

2012 - Titjikala art centre NT

2012 - Freestone print studio, Gippsland Victoria

2012 - Familia Mojo Family orphanage Nairobi, Kenya

2011 - Leipzig International Art Program (LIA) Germany

Bibliography

2023

Australian Abstract, Book published by Thames & Hudson by Amber Creswell Bell

2022 

5 curators on Artists to watch (interview with Petrit Abazi, Director of Northern Centre For Contemporary Art) 

2021

Art is never finished, only abandoned, Brooke Boland

https://visual.artshub.com.au/news-article/features/visual-arts/brooke-boland/art-is-never-finished-only-abandoned-262096

2019 

Doing It In Public: The Kaldor Projects - ABC Documentary 

If I Could Have - Art Collector Magazine Issue 90

Art Collector Mini Mag - Auckland Art Fair

2018

Profile - Artist Profile Magazine - Issue 44

Terra Firma Magazine

Art Almanac, March 2018  - front cover and article 

Art Collector Mini Mag - Melbourne Art Fair

Art Collector Mini Mag - Auckland Art Fair

2017 

Black magic, exploring Lottie Consalvo's dark world - D*hub - https://www.dhub.org/black-magic-exploring-lottie-consalvos-dark-world/

2016 

Maintaining the Manifesto – Runway by Amelia Wallin  http://runway.org.au/maintaining-the-manifesto/

2015

Imitation games: Marina Abramovic, ABC documentary series

Forecast: Lottie Consalvo - Vault Magazine by Rebecca Gallo 

Lottie Consalvo Up close and personal – Newcastle Herald http://www.theherald.com.au/story/3079491/lottie-consalvo-up-close-and-personal/

The art of self-incarceration, RealTime Feb-Mar 2015 http://www.realtimearts.net/article/125/11856

2014 

Pushing boundaries, Newcastle Herald, November 29

Performance art, ABC radio

Artist profile, Design Satellite 2014

http://www.designsatellite.com.au/artist-profiles/artist-profile-lottie-consalvo-james-drinkwater/

Minimal living, rejecting excess and finding clarity with Lottie Consalvo, Concrete Playground

http://concreteplayground.com/melbourne/arts-entertainment/art/minimal-living-rejecting-excess-and-finding-clarity-with-lottie-consalvo/

2013

'Lottie Consalvo's Insecure Act at Damien Minton’ - Blourin Artinfo International edition, December 20

2012

'See Artist Lottie Consalvo Endure Water Torture For Art’s Sake’ - Blourin Artinfo International edition, October 8

'Australian Artist recreates water torture' – SBS World News, October 8

'The art of torture'- Sydney Morning Herald/The Age/Canberra Times/WA Today/ Brisbane Times, October 6